|Click for larger version|
And this is where that difference of opinion come in. While some think the result is gaudy, tacky or just plain awful, I, and my esteemed colleagues, all deem this to be a masterpiece of design and style.
The print is a triumph of gorgeously indulgent, swirling symmetricality (yeah I know the word is symmetry, but that doesn't sound half as good!) in a darker burgundy than the rest of the shirt. From a distance, it resembles a Rorschach ink blot test, which makes you wonder what the designer saw when he looked at his creation... Maybe his mother scolding him for not having a sensible job... and why isn't he wearing a coat, it's cold outside, you'll catch your death Martin!!!!
Again, similarly to the Marseille shirt, the trim is all gold and while some say it jarred against the blue, here it just adds to the luxury feel (or the tackiness, if you're a berk).
One final detail is something that only those who purchased a certain version of the replica shirt would have seen. The numbers on the back, as well as being available in boring old block fonts, were also available inset with the same pattern as on the front of the shirt, but in gold. Damn that's some good detailing right there!
Written by Rich Johnson (The Football Attic).
This shirt is part of The 50 Greatest Football Shirts Ever. The full list can be viewed here.